I have written a short article on the KWI Blog, „Music, Mimesis, and the Politics of Parabasis. Why Mike Pence Should Have Felt Offended at the Richard Rodgers Theatre.“ In these pieces, I delve into the intricate relationship between theater and politics, using the 2016 Hamilton incident as a springboard. I explore the concept of parabasis – a direct address to the audience in theater – and its role in bridging the gap between the aesthetic and political sphere:
Music, Mimesis, and the Politics of Parabasis. Why Mike Pence Should Have Felt Offended at the Richard Rodgers Theatre. In: KWI-BLOG 12.06.2023 / 14.06.2023.
https://blog.kulturwissenschaften.de/music-mimesis-and-the-politics-of-parabasis-part-1/
https://blog.kulturwissenschaften.de/music-mimesis-and-the-politics-of-parabasis-part-2/